Saturday, May 16, 2009

Tales of Afghanistan


April 2008

So I just finished reading The Places in Between by Rory Stewart, Kabul Beauty School by Deb Rodriguez and Opium Season by Joel Hafvenstein.

The Kabul Beauty School deals with an attempt to give Afghan women access to an income and some degree of independence economically through providing basic training in hairdressing and esthetics. My ambivalence about the book may in part be the economic project selected. In some ways it makes sense to provide women with training and access to these services as, after years of being targeted by the Taliban religious police who wanted to ensure that women were not wearing any visible make up such as nail polish or lip gloss etc, all the beauty salons had closed and the skills required to reopen these types of business were no longer in the City. In addition, as with all memoirs these days, there is some controversy around the publication of the book in terms of the potential danger that the author may have created for the Afghan women that are woven into the story and there is some controversy around the degree to which the author may have exaggerated her own role in the process.

Leaving all of that aside, it does provide an interesting if very skewed picture into the world of women in Aghanistan that the other two authors don't provide. In part, I presume that Stewart and Hofvenstein have a more limited view into the world of Afghan women as it would have been dishonourable for their male Afghan counterparts to talk about their wives with other males.

I read Stewart's The Places in Between next. I think it is fair to say that Rory's writing style is sparse. The narrative tends to have a very matter of fact almost terse approach to storytelling - a sort of "then I went here and then this happened and then I saw this".

I've listened to interviews that Stewart has given and he is thoughtful, funny, articulate and has a really good storytelling approach as an orator but weirdly that doesn't translate, at least for me, in his written word. Perhaps it is that I am spoiled by the lush storytelling traditions of authors like Pat Rothfuss or Juliet Mariller but there just didn't seem to be much of the author in the book beyond the recounting of his presence and I'm kind of used to my heroes/protagonists being a bit more emotionally present. :)) I don't know that at the end of either of his books (the one on Afghanistan or the book that describes his time with the Coalition Provisional Authority in Iraq, The Prince of Marshes that I really had any understanding of how either country had impacted him emotionally. This even after an incident where he had been shot at and realizes that Mullah Mustafa, who has tried to shoot him, has just entered the dwelling that Stewart took refuge in, along with the rest of his armed gang.

At another point in the book he describes sitting down to write a "long letter" to his parents in case he was killed but there is no emotional context about the issue of mortality or the distance between him and his kin. Instead he talks about the content of the letter in terms of telling his parents how the walk has related to other parts of his life and reflects that perhaps his walk is like the Dirvish dancing and he was happy and went to sleep.

WHAAAAT ... As a reader that just leaves me hanging in the wind. I want to know how did his walk relate to other parts of his life. Why did thinking that his walking was a form of mystic connection like Dirvish dancing make him feel peaceful [And I'm really stretching that one because it's not actually what the author said]. ARRGHHH ... I HATE hanging in the wind. It makes me GRUMPY.

I don't know ... maybe it's some weird stoic Scottish Highlander thing - mmm ... except I think he might be a lowlander, Perth somewhere or other - are they stoic emotionally too - I'll have to check with my Mum.

The entire book is about his walk from Herat to Kabul and yet in some weird way in 297 pages he is almost not there.

I also found the narrative a bit disjointed though this is probably a reflection of the disconnected nature of Afghanistan's rural villages. Stewart uses the reflections of the ancient emperor Babur as a narrative construct through the whole book, by weaving in Babur's reflections about the places that the author was in to bind the book as a whole. But in the end the style irritated me enough that I turned it into a sort of "Where in the World is Rory" quest and went to find other things that he had written to see if I could figure out what in the world drives this guy and stumbled across an article he wrote for Prospect magazine (UK political mag) in 2005. More on that in another note.

... [A little later - Editorial Addition: Ahhh crap - now I'm feeling guilty. I don't really know what it is about the way that Stewart writes that makes me want to grab him by the shoulders, shake him and say "yes, but how did that make you FEEEEEL?" But there you have it. The books are still definitely worth reading and his perspective is interesting and informed re what went wrong in Iraq and the lessons that can be applied in Afghanistan. And if you listen to his interviews on You Tube or TVO's Big Ideas he really is funny!]

And so on to my favourite of the three, Opium Season, at least - on to that after Battlestar Galactica. Back in an hour :))

Can I just say on a complete tangent that Battlestar is fracking ROCKING so far this season. Gaius is turning into a weird and mental prophet. Starbuck is losing her marbles. The President is dying again and the Cylons are having arguments about the higher and lower life form rights of their own species - without any sense of irony. And I am back to loving Six - she is one COOOOLD yet sensitive mamma :) - and I love her alliance with the Eights and Leoben - those three always were my favourites :))

... back to the regularly scheduled note ...

Now Joel, on the other hand, is a storyteller's storyteller. His story is not happy in terms of outcome as 11 of the staff of the project were murdered in Helmand Province. But as an author he has a created a story where he invites the reader to travel with him and emotionally experience Afghanistan through his eyes and fall in love with it as he did before the tragedy and hardship at the end make you cry.

(at 47) "I had been looking forward to the Shamali scenery and was disappointed at first to find the foliage almost entirely hidden by walls ... The patches of green we did see were visually overwhelmed by the parched brown mountain ridge that towered on the western side of the plain. We sped through drab terrain until mid-morning, when the road dropped precipitously away into the valley of the Ghorband River and the landscape was transformed. From this height we could see over any wall, and the broad river basin running away to the east revealed itself as an unbroken expanse of fields, trees and vines fed by a silver skein of canals. I had never lived in a desert before, and I was caught off guard by the intense pleasure of being suddenly immersed in green.

Now there is lots of intensity packed into that paragraph. It is filled with colour, action and emotion and I'm right there with him as a reader. I can vicariously feel the pleasure that fills him as he sees the lushness of the green valley below after the seared desert.

And sorry but I'm back to picking on Rory again but by contrast here is the paragraph describing his arrival in the Bamiyan valley close to the end of his journey. It is the place where the immense statues of Buddha were blown up by the Taliban.

(at 253) The caravans dispersed around the remnants of the baazar, which was a new kind of ruin - not with solid walls and blackened rafters but with craters and shattered silhouettes that mark an aerial bombardment. A pale brown sandstone cliff hundreds of feet high rose sheer from the northern edge of a valley broader and more fertile than any I had seen since Herat. Cut into the cliffs to my left were two niches, two hundred feet tall, with rubble at their bases. For fourteen hundred years, two large Buddhas stood in the niches. But seven months before I reached them, the Taliban dynamited the figures. This valley of Bamiyan, at eight thousand feet, was once the Western frontier of the Buddhist world.

From a descriptive perspective they are not that different, but I know what Joel experienced - anticipation, then disappointment and then a renewed and more intense pleasure at the unexpected. Rory ... man I'm still trying to figure him out. I know what he saw. I just don't know if it made him feel anything and so as a reader I'm left feeling a little like I am reading a tourist brochure description.

Okay - I now solemnly swear that I will not unfairly compare these two authors anymore. And I reiterate that both The Places in Between and Opium Season are both in their own way, well worth reading and provide timely and insightful perspectives on Western involvement in Afghanistan at different points in time.

Kabul Beauty School ... I'd wait for the movie - and I'm actually not kidding - I think I read a rumour somewhere that it was being turned into a movie. It's okay - but it's a bit light in terms of understanding Afghanistan within its broader historical and cultural context.

Postscript, April 14, 2008


I am laughing hysterically because I have just found out that Italy was given responsibility for building Afghan capacity in its court system and Germany is responsible for police reform :)))

It's all coming clear to me now ...

The Germans and police - meh. But the Italians and the court system - are they fracking out of their minds. The Italian governments are notorious for corruption and problems with their courts. Seriously WTH were they thinking. On the other hand, ... :) ... maybe that's WHAT they were thinking :)

Tales of War: Fact, Fiction and Stories in Between

Sept 21, 2008

So I have been slowly making my way through my various books on the quagmire that is mid- and far-east geopolitics. 
Given the way that I read (i.e. five or six books at the same time) it can take me a while to get to the end of anything quickly simply because I am too ADD or commitment phobic in my approach.  However, I read Outside the Wire sitting at my favourite restaurant in Toronto - the Bloor Street Diner and then at my favourite Starbucks at the Manulife Indigo store in less than 1 day.
I point out the locations because both are in one of the more affluent areas of Toronto, a prosperous city, and looking at the people around me (including myself) spending $30 bucks on dinner and $10 bucks for a couple of lattes at the coffee shop was in marked and stark contrast to the lives of desperation and survival that are described by Canada's soldiers as they write about their experiences during deployment at various stages in the Afghan mission
Outside the Wire is a collection of writings by deployed Canadians in Afghanistan (some in Kabul early in the mission and others by soldiers in Kandahar). The foreword by LGen Romeo Dallaire is especially thought provoking, as, having read his account of the UN mission in Rawanda (Shake Hands with the Devil), his reflections were a poignant reminder, to focus not just on the "now" of the stories, the immediate moment, but also on the aftermath faced by Afghan veterans when they return to Canada.  It is edited by Kevin Patterson & Jane Warren

Whether one agrees with the mission in Afghanistan or not (and I'll put my bias on the table as being in support of the UN state-building mission for that country - even if it didn't start out as state-building) - the fact is that the military deploy where their political commanders send them [more on this below in my comments on The Unexpected War] and it is important to understand that dimension in reading the accounts, as well as understanding that those of us who have had the privilege of living in the developed world have little understanding of the desperate circumstances in which the vast majority of the world live out their lives.

I'll post more on specific vignettes that struck me as being particularly touching and or important later ... 


Sept 27, 2008

So I know that I actually haven't finished my thoughts on Outside the Wire but I have just finished reading Tim O'Brien's The Things They Carried and was- to use a bad pun - blown away. O'Brien is a Vietnam vet and while some of his war fiction has been around since the late 70s - I've only just stumbled across it. The Things They Carried is a series of stories told from the perspective of a 3rd person narrator who is a Vietnam vet. The stories weave back and forth so that in each retelling you see a slightly different variation of the same experience. He uses the things that each soldier carried as a way to enter into their experience of combat and the device ends up creating an oddly poetic flow to the story.

For example:
The things they carried were largely determined by necessity. ... Ted Lavender, who was scared, carried tranquilizers until he was shot in the head outside the village of Than Khe in mid-April ... Because the land was mined and booby trapped, it was SOP for each man to carry a steel-centred, nylon covered flak jacket, which weighed 6.7 pounds, but which on hot days seemed much heavier. Because you could die so quickly, each man carried at least one large compress bandage, usually in the helmet band for easy access. Because the nights were cold, and because the monsoons were wet, each carried a green plastic poncho that could be used as a raincoat, groundsheet or makeshift tent. With its quilted liner, the poncho weighed almost 2 pounds, but it was worth every ounce. In April for instance, when Ted Lavender was shot, they used his poncho to wrap him up, then to carry him across the paddy, then to lift him into the chopper that took him away.
I thought this war novel did an amazing job of reflecting on the nature of the experience of war from the perspective of both the ordinary soldier and the (in the case of Vietnam) young commanding officer from the distance of memory as the narrator tells the stories in the novel from 20+ years after the conflict.

As an amateur writer, my favourite passage is the following where O'Brien through the narrator reflects on the nature of storytelling:
Forty-three years old, and the war occurred half a life-time ago, and yet the remembering makes it now. And sometimes remembering will lead to a story, which makes it forever. That's what stories are for. Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.
O'Brien also spends a fair amount of time in the novel, reflecting on the nature of stories and truth and, through the narrator, posits the theory that we do not tell stories about our experiences so as to accurately catalog the detail; rather the process of telling and re-telling our experiences, nuancing how we describe something, adding detail that may not be accurate, is that the story telling is our way of attempting to create meaning from the experience rather than history. And it is our search for meaning and understanding that shades the way in which our experiences are recounted to others. As a storyteller myself - I have always thought Oprah went a bit overboard in her beating up on Frey's nuancing truth in his memoirA Million Broken Pieces - and this is one of the best expressions I have found as to how he ended up where he did on Oprah's pale yellow couch - apologizing for the fact that his story was not a clinical recounting of his time as an addict. We tell stories, not for their truth but for their meaning - to us and to others - this is true both for "true" accounts and for fiction.

In fact, O'Brien specifically dwells on this nature of storytelling in the chapter titled How to Tell a True War Story where he describes the death of a friend who has been playing catch in the shade with another soldier and, as he steps out into the sunlight, he steps on a mine and is blown up into the trees and killed. The truth of the story is that the mine killed him but as the author reflects he says:
Twenty years later, I can still see the sunlight on Lemon's face. I can see him turning, looking back at Rat Kiley, then he laughed and took that curious half step from the shade into the sunlight, his face suddenly brown and shining and when his foot touched down, in that instant, he must've thought it was the sunlight that was killing him. It was not the sunlight. It was a rigged 105 round. But if I could ever get the story right, how the sun seemed to gather around him and pick him up and lift him high into a tree, if I could somehow re-create the fatal whiteness of that light, the quick glare, the obvious cause and effect, then you would believe the last thing Curt Lemon believed, which for him must've been the final truth.

The stories become apocryphal. They are weighed down not with their truth but with their meaning. In every telling, as we seek mastery over our past experiences through telling and retelling, the weight of meaning becomes increasingly more important than the recitation of "true" "facts". In the end, as the author says, our stories are all true stories that may or may not have happened. It is in their emotionality and meaning, not their factuality and rationality, that these stories are true as we journey toward understanding through our stories - the ones that we tell to each other and that we tell about each other. 

It's a story well worth reading.


Oct 10, 2008
Back to the non-fiction version of war - I have started reading Christie Blatchford's Fifteen Days which is an account of the 21st Century Canadian military experience as it has played out on the battlefields of Afghanistan. I'll update as I go but so far my favourite story is of a Newfoundland lad who was the gunner in an LAV and, out on patrol, leaned down to get a cigarette from someone in the LAV. As he was bent down inside, an RPG cut through where he would have been standing, only seconds before. He apparently, "dined out" on his story of "how smoking saved his life." I laughed my ass off, dark celtic humour - smartass in the face of mortality - what the Scots and Irish do best.

And I'll also try and give my review of Outside the Wire which I realize that I have not got back to yet.

11:54 p.m. Dammit ... she made me cry ... and that's just by the second chapter. I kind of, sort of, almost cried during the first chapter so clearly I am going to have to pace myself reading this or I'll have to invest in more Kleenex than I currently have.

And then I feel guilty because even though in the back of my head, I know how many have died, I realize I actually have no idea how many have been wounded, severely or otherwise.

And guilty because of how I allow myself to be distracted by the everyday mundane pace of life, and how busy I get with being irritated by the little stuff - incompetent people or difficult decision-makers - and as frustrating as all of that can be - it's not life and death - it's not the survival that most of the world struggles with daily - and I'm not even sure that it qualifies as anything as bold or honourable as Dalton McGuinty or President Obama make out. It's not really even sacrifice though it is public service. My public service requires no real risk beyond the political or relational. My public service day ends with watching Jon Stewart and Stephen Colbert making fun of the kind of people that I work for every day. Maybe that's why I've been so restless lately and why I want to go somewhere that public service makes the difference in the struggle for life as opposed to the spoiled, selfish, over-indulged life that citizens of the West treat as an entitlement. It's not that I want to go and live somewhere that life is desperate, after all, as my family would tell you - they have yet to be able to get me to go camping (I'm sorry - how high is the thread count in those sheets?) - it's more the ingratitude of Ontario's citizens that makes me really angry. Our focus in so many ways, is so self-centred, self-serving - no broader perspective or vision than "what's in it for me" and "what have you done for me lately." It's not that I think that public service isn't important - it is - in a way it is testament to "good government" that we get to whine about things like wait times and ambulance response times and set performance targets for surgery. And yet when was the last time we ever heard citizens express gratitude for the things that Canada or Ontario gives them, security, peace, stability, due process, rule of law, health care, education, social services, freedom for arts and culture, human rights, an independent judiciary, balance between state secularity and freedom of religion, academic freedom, unions, free and democratic elections. And that's just the short list. 

Ontario citizens don't disappear in the darkness of night. We aren't tortured by our government officials. Our prisons, while not without issues, are far more humane and balanced than those in most of the world. Our police are independent of politicians. Our politicians don't, as a general rule, syphon off public money into private bank accounts in offshore jurisdictions (even if we don't always like how they spend our money). We have strict standards of non-partisan public service, conflict of interest rules and independent auditors. 

Yes there are times where our police screw up, where individuals are racially profiled and unfairly treated, where our politicians make bad or poorly thought through decisions, periods where our markets implode, and days where we wonder why Bloor is ALWAYS under construction! However, the fact of the matter is that we don't appreciate that our politicians are probably far more professional and less corrupt now than they have ever been, transparency and accountability are greater than they have ever been and that Canadians are privileged to live where they do. We don't appreciate the fact that while our wait times may result in not having instant access to the health care we want on demand, the vast majority of humanity has no health care at all beyond what is provided by emergency NGOs and humanitarian organizations. We don't appreciate the fact that our maternal mortality rates are lower than the vast majority of the world, that our female children are growing up, largely ignorant of the fact that there was ever a time in their country where they were not considered equal. We don't appreciate how far men in the West have changed with us in terms of behaviour and values, so much so that the misogyny in heavily patriarchal cultures is as abhorrent and alien to many of them as it is to women. 

We spend so much time striving for what still remains to do, that we fail to stop and express gratitude for how far we have come and how much we have.

Don't get me wrong, Canada is far from perfect. We continue to struggle with First Nations issues, poverty, human rights, integration of immigrants, tolerance, equal rights. I get that. But like clinician's illusion, if all we are focused on is the sick, we forget that there is health beyond our focus and things that we OUGHT to be profoundly grateful for.

So far that, thanks Christie - your writing reminded me of what sacrifice actually looks like. 
Thanks to all members of the military and their families for reminding me to be grateful for the nation that I call home, and to be grateful for my other home - Scotland - which taught me about resilience, independence, justice and history. And thank you to all the Canadian soldiers who are or were deployed and to those who have lost their lives or were injured fighting to bring Afghan women, children and men the room and stability to grow their own version of a brighter future.


Feb 14, 2009

Just finished The Forever War by Dexter Filkins - a foreign correspondent for The New York Times. It's an interesting read and is written, like Christie's book as a series of episodes or vignettes. Filkins starts out in Afghanistan and then the narrative moves to Iraq where he provides first hand accounts of his experiences of the war in Baghdad and Fallujah. The most poignant paragraphs are contained, for me, in the final few pages where the journalist reflects on his return home and I thought it was worth reproducing in its entirety as I think I don't often think about the effect of what being a witness to war does to a journalist who is there to bring the conflict home for those who are not there to witness directly:


When I was in Iraq, I might as well have been circling the earth from a space capsule, circling in the farthest orbit. Like Laika in Sputnik. A dog in space. Sending signals back to base, unmoored and weightless and no longer keeping time. Home was far away, a distant place that gobbled up whatever I sent back, ignorant and happy but touchingly hungry to know. And then I was back, back in the world with everyone else, looking back on the ship myself though not returning all the way, still floating like Laika, through the regular people in the regular world.

Back in the world, people were serious, about the fillings in their sandwiches, about the winner of last night's ballgame. I couldn't blame them, of course. For me, the war sort of flattened things out, flattened things out here and flattened them out there too. Toward the end, when I was still there, so many bombs had gone off so many times that they no longer shocked or even roused; the people screamed in silence and in slow motion. And then I got back to the world, and the weddings and the picnics were the same as everything had been in Iraq, silent and slow and heavy and dead. Your dreams come alive, though, when you come home. Your days may die but your dreams explode. Not with any specific recollections; they were more the by-products of the raw material I carried back. Rarely anything I ever actually saw. 

People asked me about the war, of course. They asked me whether it was as bad as people said. "Oh, definitely" I told them, and then, usually, I stopped. In the beginning I'd go on a little longer, tell them a story or two, and I could see their eyes go after a couple of sentences. We drew closer to each other, the hacks and the vets and the diplomats, anyone who had been over there. My friend George, an American reporter I'd gotten to know in Iraq, told me he couldn't have a conversation with anyone about Iraq who hadn't been there. I told him I couldn't have a conversation with anyone who hadn't been there about anything at all.
A reminder that PTSD can affect all those with boots on the ground, be they civilian, military or journalist ...

February 15, 2009

I am taking the opportunity of the Family Day long weekend to try and catch up on some reading in my ever growing pile of mid-east and Asian politics tomes. I startedCanada in Afghanistan: The War so Far by Peter Pigott and am now completely depressed after the first 75 pages. And I haven't even got to the current mission post 9-11. The first section of the book deals with the geopolitics of The Great Game and all the various empires that have, throughout time tried to either bring Afghanistan to heel or prevent someone else from taking it as a strategic corridor in Asia. 

How in the world do you get from where they are to where they need to be to even start thinking about things like human rights and woman's rights? 

How do you build capacity in a nation of millions of multi-generational PTSD sufferers?

.... [a day later ...]

The reason I would recommend this book is that it is one of the first that I have come across where it actually talks in any detail about the work of the PRT teams [Provincial Reconstruction Teams]. And a reminder in the section, written by Capt. Tony Petrilli, a CF reservist engineer with the PRT, that 
We have to be willing to make the effort and pay the price. Afghanistan is not Disneyland nor will it be solved in a time frame that makes it understandable to us, be it a rotation, this year in time for Christmas, or before the next election.
Additionally he talks about a key project on the part of the Canadian PRT in Kandahar to secure ammunition so that it could be properly accounted for and distributed. It ended up being the largest secured ammunition "depot" in southern afghanistan. This may seem like an odd project for me to highlight, as opposed to say some of the others discussed such as education for women etc. but this one struck me as being critical as elsewhere in the book it discussed examples of village elders asking for help to rid the latrines of ammunition that had been "buried" there to prevent the children from playing with live rounds. 

So many children in Afghanistan are hurt or mutilated by the proliferation of landmines that this project might seem peripheral but it is project by project that security is built in situations like this so every mm or inch counts. [err ... I think my bias is showing again ;P]

February 16, 2009

Now I've finally started to read the Pulitzer prize-winning Ghost Wars by Steve Coll which is about Afghanistan as The Great Game played itself out between America and Russia during the 1980s. But I have to go and read something fluffy for a while because reading too much about Afghanistan and mid-east politics at one time is enough to drive a sane person to drink.
...


March 4, 2009

I think that Ghost Wars may end up being one of those books that I keep starting to read and then never finishing because it is just so utterly depressing from a long term strategic perspective. Makes you want to bang your head against a wall. So, instead, I went on to read The Road to Kandahar by Jason Burke, an "award winning" journalist for The Observer in Great Britain. In many ways this is like Dexter Filkins book The Forever War reviewed above. Both journalists are of an age (i.e. mid to late 30s) and have covered Middle and Eastern politics/war throughout their careers. Jason Burke is truly fascinating as a character in and of himself and the first chapter describes how he and a fellow Brit spent their gap year fighting with the peshmergas in Kurdistan - not, as far as I could tell, for any particular ideological reason but rather for the "adventure." Turns out they didn't get to do much fighting as the peshmerga paraded them around the "front" lines in Kurdistan as sort of "trophy" fighters to prove the cause was just ...
The rest of the book unwinds from there as Jason's career as a journalist takes him from one hot spot to another, following the trails of violence across a decade and through some of the most impoverished and destitute parts of the world. Like Filkins' book, there is a very episodic feel to the narrative where each chapter is a window into a particular time and place. The thread that binds the narrative as a whole across the various incidents, times and places is Burke's search to understand the evolving nature of radical violence and the ways in which it was tolerated or overthrown/minimized.

I think, I am still a long way from understanding, but every book I read on the current major conflicts/on the war (and I am reading books on both left and right) is helping me internalize the circumstances and threads in a way that hopefully at some point will lead to a glimmer of understanding.

I have also just started to read, The Unexpected War by Janice Stein and Eugene Lang. It is surprisingly readable after Janice's last mind-numbingly bad Cult of Efficiency so perhaps having a co-writer helped. It is engaging and provides, at least in the first 40 pages a sense of the swiftness with which events moved after 9-11 and through interviews with various decision-makers in Ottawa (Art Eggleton, John McCallum etc) a sense from the participants themselves of how things evolved from a small, support role by the Canadian Navy in the Persian Sea to a full combat mission in Kandahar.

March 5, 2009

Truly this may be one of the more interesting books on the issue of Afghanistan that I have read in my journey since September. It has a weird kind of overtone of gossip, or, well ... gossip isn't quite the right word. The authors clearly had some quite phenomenal access to folks in both the American and Canadian power circles, political and bureaucratic, and so they actually reconstruct conversations at various points pre and post 9-11. This gives the book a weirdly "fireside armchair conversation" kind of feel. It's actually an incredibly good, critical, in a neutral kind of way, analysis of the domestic and international events that led to Canada's role in Kandahar. Well worth reading, not just for the Afghan war analysis but also for a fascinating look at how the whole Martin v. Chretien dynamic/hatred ended up influencing the direction that Canada went from a foreign policy / international perspective. I'm not sure how I feel yet about the fact that the egos of men-children led to the deaths of 111 soldiers, 3 of them as recently as 2 days ago. Though I suppose how we ended up there doesn't detract from the importance of the mission currently to the future of the Afghan people but it shows how so very little of what we do, be it investing in stocks or making a decision about where to go to war, is a rational process, bounded rationality or otherwise. 

[Editorial Notes - Since 2002, 118 Canadian soldiers have been killed serving in the Afghanistan mission. One diplomat and two aid workers have also been killed. The DND has reported as of 2006 to 2009 more than 400 Canadian soldiers had either lost limbs or suffered horrible shrapnel wounds since the beginning of major combat operations in Kandahar Afghanistan and that number does not include those injured battling the Taliban in Kandahar and Kabul between 2002 and 2005.

The number of NATO/ISAF soldiers killed in the Afghan mission can be found at: Coalition Casualties in Afghanistan

The number of Afghan civilians killed or injured due directly or indirectly to combat operations since 2002 is not clear and attribution is often difficult and fraught with political complexities - estimates from 2002 to 2009 for direct & indirect civilian deaths range from: 10,960 - 30,557 depending on who is counting and what methodology is used in the estimate process.]

Further details on civilian casualties can be found at Civilian Casualties in Afghanistan